This book shares some things with another of Chamberlain’s books, in terms of a very similar protagonist ( a female who leaves the South, relocates to San Diego, etc. ) Although I had read the earlier book, I was quite eager to read this, although part of me now wishes that I had also read the short story “The Dance Begins,” which is a prequel to this book. In the book, Molly Arnette’s father is a man with serious physical limitations brought on by his MS, and we meet him in that state. He is such a warm and loving character, and such a wonderful father to Molly, I was thinking that in some ways it might have been nice to get a glimpse of him prior to him being nearly completely helpless physically. Although, not having read the story, I have no idea whether he was dancing in it or not, but clearly the characterization was adequately developed that I cared about him dancing or not!
In any case, there are two stories going on in this book: in the one, Moly lives in San Diego with her husband Aidan, and the two of them are going through the process of trying to adopt a baby, as they cannot have their own. In the other story, we see Molly as a teen, growing up on the family compound (“Morrison’s Ridge”) in North Carolina with her father, Graham, her mother Nora (who she has claimed for the twenty years since she left North Carolina following Graham’s death is dead) and assorted other family, both by blood and by choice. The family includes the fascinating character Amalia, who teaches Molly to dance, and we come to learn Amalia is actually Molly’s birth mother.
There is a mystery surrounding Graham’s death and the reasons why Molly has abandoned her roots…as the stories are woven together, various topics are addressed, including family relationships (father/daughter, mother/daughter, birth vs. adoptive parents, dying “with dignity,” and the idea of secrets among families and between spouses. We see Molly and her various family members (both blood and not) dancing together, singing together, and keeping secrets from one another.
Chamberlain has done a good job developing the characters into people we care about, and meshing the threads of the two stories together. I admit, I cared much more about the story of Molly’s childhood and Graham’s death than about Molly and Aidan’s quest for parenthood, but I appreciated both sides. I loved the way the young Molly was shown growing into a slightly more mature girl as she began to discover boys and to test the boundaries of her family rules, as she sneaks off to a rendezvous with a boy named Chris:
“He put his hand on my breast through my T-shirt. I was on my back and knew my breast was almost completely flat in that position. When I imagined being with Johnny Depp, I was always on my side exactly for that reason, but Chris didn’t seem to care.”
As the story moved along, it reminded me in some ways of a Jodi Picoult novel, in terms of having interesting, well-developed characters whose situation revolved around and moved toward a climactic episode involving a social issue with a moral dilemma.
My expectations may have been a bit high, following my book group’s recent discussion of Chamberlain’s Necessary Lies. The result was that I was a bit disappointed after I finished this one, but as I said, that is likely due to overly high expectations on my part.
I won’t put DC into my list of favorite authors, but I did enjoy the book, and have recommended it to several people. I appreciate the opportunity to review it in exchange for my NetGalley review.